A LENGTH OF ROAD
In 1841 the ‘peasant poet’ John Clare escaped from an asylum in Epping Forest, where he had been kept for four years, and walked over eighty miles home to Northamptonshire. In 1995, with his life in crisis, Robert decided to retrace Clare’s route along the Great North Road over a punishing four day walk. A Length of Road is a profound and poetic exploration of class, gender, grief and sexuality through the author’s own experiences and the autobiographical writing of John Clare.
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Blue Wallpaper (2019)
SHORTLISTED for the 2020 POLARI PRIZE for excellence in LGBTQ+ literature
Through the six sections of Blue Wallpaper – his fourth collection – Robert Hamberger explores family and friendship, the limits of masculinity, variations on Rimbaud sonnets, animal encounters, developing a queer identity and moving to the sea. His voice is intimate, questing and questioning, using the prism of personal experience to search themes of memory, home, ageing and love.
Blue Wallpaper contains ‘Unpacking the books’, highly commended in the 2019 Forward Prize.
Leaving the Party Early
My dead friend said Why not leave
the party early? So, on the stroke
of midnight, before I become a pumpkin
or mouse, without dropping a glass
slipper, I abandon the songs I barely know,
and hear – through open windows higher
than myself – Dancing Queen, where
I’d been a dancing queen ten minutes
ago. The freedom of walking away,
dodging the cars when lights are green.
I eat a kebab, me – a vegetarian
for thirty years – with no-one telling me
not to, thinking I’ll dance for as long
as I choose, and never leave.
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Torso
In Torso, his third collection, Robert Hamberger continues to explore the boundaries of skin as son, father, lover and poet. Torso includes three major new sequences, including a celebrated version of Lorca’s dark love sonnets, elegies for a friend and a queer reclaiming of sacred texts.
The Ark Inside
I guzzle a hundred hosannas,
swallowing pearls
meeting everyone in me
at the stripped page:
every orchid, hailstone and dragon,
every crocodile, every swan.
For original copies of ‘Torso’ please use Contact author link on this website
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The Smug Bridegroom
The Smug Bridegroom traces the shifts in family life and relationships, the break-up of marriage and renewal of hope, which is itself endangered by heart surgery. Robert Hamberger explores the certainties and doubts of fatherhood, love and change.
Before
One week before your operation
you've become glass to me:
a delicate vessel holding all you might be
between unsteady hands. This motion
of crossing a room could tip your libation.
I wait in the kitchen, not wanting to miss any
drop of you walking towards me. I see
pyjamas in a half-packed suitcase open
upstairs. I'm a father letting you go
for a ride with stranger, out of my sight.
Treat him well, I want to say. You don't know
his gifts: how memorable the light
has become since he stood by this window;
his breath stroking my spine in bed last night.
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The Rule of Earth
The Rule of Earth is a winner in The Poetry Business Competition 2000
The Rule of Earth is a sequence of twenty one love sonnets, charting the daily routines and ecstasy of a gay relationship that’s suddenly placed at risk by heart disease.
Tunnel of Leaves
Driving to meet the children by the sea
we enter a tunnel of leaves. Sunlight
dabbles the windscreen, our sight
dazed, squinted, assuming we can see
the same dazzle. Striped by shadows, you beside me,
becoming the music we’re hearing: this flight
of wings a waterfall, green over white
on our upturned faces. We barely
remember where we’re heading. Only
that we’re driving to meet them, speeding
through minutes, trees or tarmac, nearly
forgetting which: asking the wrong thing
if we want this to stand still, its beauty
being always in the moving.
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Warpaint Angel
Robert Hamberger's first collection of poems is available from Five Leaves, since its original publisher, Blackwater Press, departed for that great poetry library in the sky. Warpaint Angel explores fatherhood and sonhood, the meaning of family and friendship, the nature of love. It includes a significant sequence charting the last illness of a friend with AIDS.
The Garden
After he died I cut down the trees.
I wanted as much light as I could get.
Stumps no fire could ash. The flesh of split
wood like clotted cream. I was up to my knees
in branches, finishing them off. In the breeze
made by all this space I wanted it
back the way it was. Dandelion clocks. Nettles. Thick wet
grass, and those over-ripe blackberries
squashed at the slightest touch. That garden's gone.
We'll rotavate, level and turf it. We'll
grow another garden where the kids can run
naked, like Eden before death. A year's over. I'm
still learning he's gone. Silence. Here's my breath. Listen.
Kids are laughing while this year's apples fall.